
A Beginner Artist’s Translation Guide to Critique
Catalina Passino and Ella Hannaford
• November 13, 2024

Wheeler’s Wolf Play Wows Audiences
Max Olson, Managing News Editor
• November 13, 2024

Something for Everyone, “Across Common Grounds”: The Bates College Museum of Art’s Most Recent Undertaking
Madeline Cournoyer, Assistant Arts & Leisure Editor
• November 13, 2024

The 2024 Robinson Player’s One-Act Festival
Gail Curtis, Managing Arts & Leisure Editor
• November 8, 2024

Fueling the Movement: “Maine Lines” Film is Fundraising for Change in Snow Sports
Gail Curtis, Managing Arts & Leisure Editor
• October 31, 2024

Mealtime Mishaps and Community: A Review of The Corner
Jacey Dlabal
• October 30, 2024

Review: The Hilarious Reprisal of “Washington’s Dream” in Nate Bargatze’s SNL Performance
Sarah Lieber, Staff Writer
• October 30, 2024

Weathering Anxiety with Wit: Jenny Offill reads about climate change at Bates Literary Arts Live
Ramona McNish, Contributing Writer
• October 9, 2024

Looking for a New Fall Tradition? Perhaps Wallingford Will Do the Trick
Madeline Cournoyer, Assistant Arts & Leisure Editor
• October 9, 2024

Plan A: Lil Tecca’s Evolution from Viral Sensation to Established Artist
Mason Spivy, Contributing Writer
• October 9, 2024

Things to Do in Fall in Maine
Gail Curtis and Hadley Blodgett
• October 9, 2024

In ‘Heartstopper’ Season 3, I Saw Myself
Carly Philpott, Executive Managing Editor
• October 9, 2024
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