From Mulled Wine to Toll House Pie: The Transformative Power of Study Abroad
Amanda Edge, Managing A&L Editor
• January 22, 2025
Justice For Joan Baez: A Review of “A Complete Unknown”
Kate Hayes, Assistant News Editor
• January 22, 2025
The Highs and Lows of Being in the Fall Dance Concert
Olivia Svallin, Staff Writer
• December 11, 2024
Wicked (2024) – Enchanting if Exhausting
Ramona McNish, Contributing Writer
• December 11, 2024
The Auburn Novelty Shop is the Strangest Store I’ve Ever Been To
Kate Hayes, Assistant News Editor
• December 11, 2024
An “Exchange of Energy”: Fall Dance Concert Brings Vibrancy and Joy to Schaeffer Theater
Maple Buescher, Staff Writer
• November 17, 2024
A Beginner Artist’s Translation Guide to Critique
Catalina Passino and Ella Hannaford
• November 13, 2024
Wheeler’s Wolf Play Wows Audiences
Max Olson, Managing News Editor
• November 13, 2024
Something for Everyone, “Across Common Grounds”: The Bates College Museum of Art’s Most Recent Undertaking
Madeline Cournoyer, Assistant Arts & Leisure Editor
• November 13, 2024
The 2024 Robinson Player’s One-Act Festival
Gail Curtis, Managing Arts & Leisure Editor
• November 8, 2024
Fueling the Movement: “Maine Lines” Film is Fundraising for Change in Snow Sports
Gail Curtis, Managing Arts & Leisure Editor
• October 30, 2024
Mealtime Mishaps and Community: A Review of The Corner
Jacey Dlabal
• October 30, 2024
Load More Stories