
Twenty-Five Years Later, “The Miseducation of Lauryn Hill” Is As Culturally Relevant As Ever
Amanda Edge, Managing A&L Editor
• December 14, 2023

Saltburn Takes “Eat The Rich” Too Literally
Gail Curtis, Managing Arts & Leisure Editor
• December 14, 2023

Taylor Swift’s “The Eras Tour” Film Dazzles Like the Real Thing
Carly Philpott, Editor-in-Chief
• December 14, 2023

“The Ballad of Songbirds and Snakes” Provides Uncanny Commentary on Modern Media
Carly Philpott, Editor-in-Chief
• December 14, 2023

“The Thanksgiving Play” Skewers White Liberalism at Bates and Beyond
Maple Buescher, Staff Writer
• November 15, 2023

Dessert in Commons: A Review from Self-Proclaimed Dessert Connoisseurs
Charlotte Racine and Aggie Schnee
• October 21, 2023

“We’ve Got Some Big Reputations”: Travis Kelce and Taylor Swift Begin Star-Studded Romance
Lucy Green, Managing Features Editor
• October 21, 2023

Got Milk?: Offerings in Commons Switch to Hood-Brand Dairy
Leah Belber, Digital Editor
• October 21, 2023

“Bottoms”: The Comedy of the Year
Anastasia Fowler, Managing Arts & Leisure Editor
• October 4, 2023

Barbenheimer: The Secret Behind the Success of the Double-Feature
Claire Orfield, Contributing Writer
• October 4, 2023

Spoken Word Artist Mel Chanté Shines In First VCS Of The Year
Roux Hernandez, Contributing Writer
• October 4, 2023
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