The Highs and Lows of Being in the Fall Dance Concert
Olivia Svallin, Staff Writer
• December 11, 2024
Wicked (2024) – Enchanting if Exhausting
Ramona McNish, Contributing Writer
• December 11, 2024
The Auburn Novelty Shop is the Strangest Store I’ve Ever Been To
Kate Hayes, Staff Writer
• December 11, 2024
An “Exchange of Energy”: Fall Dance Concert Brings Vibrancy and Joy to Schaeffer Theater
Maple Buescher, Staff Writer
• November 17, 2024
A Beginner Artist’s Translation Guide to Critique
Catalina Passino and Ella Hannaford
• November 13, 2024
Wheeler’s Wolf Play Wows Audiences
Max Olson, Assistant News Editor
• November 13, 2024
Something for Everyone, “Across Common Grounds”: The Bates College Museum of Art’s Most Recent Undertaking
Madeline Cournoyer, Assistant Arts & Leisure Editor
• November 13, 2024
The 2024 Robinson Player’s One-Act Festival
Gail Curtis, Managing Arts & Leisure Editor
• November 8, 2024
Fueling the Movement: “Maine Lines” Film is Fundraising for Change in Snow Sports
Gail Curtis, Managing Arts & Leisure Editor
• October 30, 2024
Mealtime Mishaps and Community: A Review of The Corner
Jacey Dlabal
• October 30, 2024
Review: The Hilarious Reprisal of “Washington’s Dream” in Nate Bargatze’s SNL Performance
Sarah Lieber, Staff Writer
• October 30, 2024
Weathering Anxiety with Wit: Jenny Offill reads about climate change at Bates Literary Arts Live
Ramona McNish, Contributing Writer
• October 9, 2024
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