
Why Are We Giving Miley Cyrus’ “Flowers” Its Undeserved Flowers?
Anastasia Fowler, Managing Arts Editor
• February 13, 2024

“This Is Authentic Native Art”
Lena LaPierre and Luciana Zaiet
• January 31, 2024

A Gripping Film: The Iron Claw
Max Olson, Managing News Editor
• January 31, 2024

Coram Deep Sea Exhibit Astonishes in its Deep Dive into New Ocean Science
Carly Philpott, Editor-in-Chief
• January 31, 2024

Oscar Nominations 2024: Snubs and Surprises
Anastasia Fowler and Felix Danishmend
• January 31, 2024

“Mean Girls” Falls Flat in a Lukewarm Revival
Gail Curtis, Managing Arts & Leisure Editor
• January 31, 2024

Navigating Maine’s Holiday Magic: A Guide to Local Festivities
Hadley Blodgett and Gail Curtis
• December 14, 2023

My Liberal Arts Experience: Learning to Dance at Bates
Willa Wang, Managing Forum Editor
• December 14, 2023

A Joyous Embrace from Metal Instruments: Brass and Steel Pan Ensembles Shine at Concert
Leah Belber, Digital Editor
• December 14, 2023

“Napoleon” Spits in the Face of Historical Accuracy: Bates Historical Society Responds
Carly Philpott, Editor-in-Chief
• December 14, 2023

The Bobcat Den: Is it Worth the Rave?
Madeline Cournoyer, Assistant Sports Editor
• December 14, 2023

“May December”: A Moral Mystery Too Seductive To Look Away From
Anastasia Fowler, Managing Arts & Leisure Editor
• December 14, 2023
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